Seun Anikulapo Kuti’s Ekiti Dreams
When Seun Anikulapo Kuti speaks of roots, he speaks not in abstraction but in lineage, memory and place. Beyond Lagos, beyond global stages and political anthems, there lies Ipoti-Ekiti; the quiet Ekiti town that anchors his maternal heritage.
Seun Kuti’s mother, Fehintola Anikulapo-Kuti (née Ogunade), is originally from Ipoti-Ekiti in Ekiti State. This maternal connection has steadily shaped conversations around a potential homecoming; not as spectacle alone, but as a return to origin.
In a commentary by Babafemi Ojudu, Seun Kuti was quoted simply and powerfully: “Invite me to Ekiti.” The statement carried weight beyond performance. It echoed longing, identity and a readiness to reconnect with ancestral soil. For an artist whose music interrogates power, memory and African self-determination, Ekiti represents more than geography, it represents inheritance.
More Than a Concert
The idea of Seun Kuti’s return to Ekiti has never been framed as a one-night show. It is imagined as a homecoming; a cultural reconnection that bridges Ipoti-Ekiti, the cradle of his maternal roots with Ado-Ekiti, the state capital and cultural nerve centre.
Such a moment offers Ekiti State something rare: a convergence of heritage, music, activism, and tourism. A performance in Ado-Ekiti would resonate far beyond entertainment, while a symbolic visit to Ipoti-Ekiti would ground the narrative in history, family and community.
Culture, Memory and the Politics of Return
Seun Kuti stands at the intersection of legacy and resistance. As the youngest son of Fela Anikulapo Kuti, he inherited Afrobeat not as nostalgia but as responsibility. Yet his Ekiti connection adds another layer — one that reframes Afrobeat as both national and deeply personal.
Reports suggest that this vision of a homecoming could be nurtured through a broader cultural initiative, potentially led by indigenous influencers and political stakeholders, including Senator Babafemi Ojudu. If realized, such an initiative would position Ekiti not only as host but as co-author of a living cultural story.
Why Ekiti Matters Now
At a time when Nigerian states are reimagining tourism through culture, identity, and storytelling, Seun Kuti’s homecoming offers Ekiti a powerful narrative: a return of sound to soil, of rhythm to roots. It is an opportunity to place Ekiti firmly on Nigeria’s cultural map — not through imitation, but through authenticity.
Whether through music, dialogue or community engagement, Seun Kuti’s return to Ekiti would affirm a simple truth: that heritage is not static, and home is not forgotten — it is remembered, reclaimed and re-sung.





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